Cutty Sark is a British clipper ship. Built on the Clyde in 1869 for the Jock Willis Shipping Line, she was one of the last tea clippers
to be built and one of the fastest, coming at the end of a long period
of design development which halted as sailing ships gave way to steam
propulsion.
The opening of the Suez Canal (also in 1869) meant that steam ships now enjoyed a much shorter route to China, so
Cutty Sark spent only a few years on the tea trade before turning to the trade in wool from Australia,
where she held the record time to Britain for ten years. Improvements
in steam technology meant that gradually steamships also came to
dominate the longer sailing route to Australia and the ship was sold to
the Portuguese company Ferreira and Co. in 1895, and renamed
Ferreira.
She continued as a cargo ship until purchased by retired sea captain
Wilfred Dowman in 1922, who used her as a training ship operating from Falmouth, Cornwall. After his death,
Cutty Sark was transferred to the Thames Nautical Training College, Greenhithe in 1938 where she became an auxiliary cadet training ship alongside HMS
Worcester. By 1954 she had ceased to be useful as a cadet ship and was transferred to permanent dry dock at Greenwich, London on public display.
Cutty Sark is one of three historic sea vessels in London on the Core Collection of the National Historic Ships Register (the nautical equivalent of a Grade 1 Listed Building) – the others are HMS
Belfast and SS
Robin. She is one of only three remaining original composite construction (wooden hull on an iron frame) clipper ships from the nineteenth century in part or whole, the others being the
City of Adelaide, which arrived in Port Adelaide, South Australia on 3 February 2014 for preservation, and the beached skeleton of
Ambassador of 1869 near Punta Arenas, Chile.
The ship was badly damaged by fire on 21 May 2007 while undergoing
conservation. She has since been restored and reopened to the public on
25 April 2012.
[2]


Construction
Cutty Sark with sails set. Photograph taken at sea by Captain Woodget with a camera balanced on two of the ship's boats lashed together.
Cutty Sark was ordered by shipping magnate John Willis, who
operated a shipping company founded by his father. The company had a
fleet of clippers and regularly took part in the tea trade from China to
Britain. Speed was a clear advantage to a merchant ship, but it also
created prestige for the owners: the 'tea race' was widely reported in
contemporary newspapers and had become something of a national sporting
event, with money being gambled against a winning ship. In earlier
years, Willis had commanded his father's ships at a time when
American-designed ships were the fastest in the tea trade, and then had
owned British-designed ships, which were amongst the best available in
the world but had never won the tea race. In 1868 the brand new Aberdeen-built clipper
Thermopylae set a record time of 61 days port to port on her maiden voyage from London to Melbourne and it was this design that Willis set out to better.
[3][4]
It is uncertain how the hull shape for
Cutty Sark was chosen. Willis chose Hercules Linton to design and build the ship but Willis already possessed another ship,
The Tweed, which he considered to have exceptional performance.
The Tweed (originally
Punjaub) was a frigate designed by Oliver Lang based on the lines of an old French frigate, built in Bombay for the East India Company
as a combination sail/paddle steamer. She and a sister ship were
purchased by Willis, who promptly sold the second ship plus engines from
The Tweed for more than he paid for both.
The Tweed was
then lengthened and operated as a fast sailing vessel, but was
considered too big for the tea runs. Willis also commissioned two
all-iron clippers with designs based upon
The Tweed,
Hallowe'en and
Blackadder. Linton was taken to view
The Tweed in dry dock.
Willis considered that
The Tweed's bow shape was responsible for its notable performance, and this form seems to have been adopted for
Cutty Sark. Linton, however, felt that the stern was too barrel-shaped and so gave
Cutty Sark a squarer stern with less tumblehome.
The broader stern increased the buoyancy of the ship's stern, making it
lift more in heavy seas so it was less likely that waves would break
over the stern, and over the helmsman at the wheel. The square bilge was carried forward through the centre of the ship.
[5][3] In the matter of masts
Cutty Sark also followed the design of
The Tweed, with similar good rake and with the foremast on both ships being placed further aft than was usual.
[6]
A contract for
Cutty Sark's construction was signed on 1 February 1869 with the firm of Scott & Linton, which had only been formed in May 1868. Their shipyard was at Dumbarton on the River Leven on a site previously occupied by shipbuilders William Denny & Brothers.
The contract required the ship to be completed within six months at a
contracted price of £17 per ton and maximum weight of 950 tons. This was
a highly competitive price for an experimental, state-of-the-art
vessel, and for a customer requiring the highest standards. Payment
would be made in seven installments as the ship progressed, but with a
penalty of £5 for every day the ship was late. The ship was to be built
to Lloyd's
A1 standard and her construction was supervised on behalf of Willis by
Captain George Moodie, who would command her when completed.
Construction delays occurred when the Lloyd's inspectors required
additional strengthening in the ship.
[7]
Work on the ship was suspended when Scott and Linton ran out of money
to pay for further work. Rather than simply liquidate the company, an
arrangement was made for Denny's to take over the contract and complete
the ship, which was finally launched on 22 November 1869 by Captain
Moodie's wife. The ship was moved to Denny's yard to have her masts
fitted, and then on 20 December towed downriver to Greenock
to have her running rigging installed. In the event, completing the
ship meant the company's creditors were owed even more money than when
work had first been halted.
[8]
Broadly, the parts of the ship visible above the waterline were constructed from East India teak, while American rock elm was used for the ship's bottom. The keel
(16.5 in × 15 in (42 cm × 38 cm)) had on either side a garboard strake
(11 in × 12 in (28 cm × 30 cm)) and then 6 in (15 cm) planking
decreasing to 4.75 in (12.1 cm) at 1/5 the depth of the hold. Teak
planking began at approximately the level of the bilge stringer. All the
external timbers were secured by Muntz metal (brass) bolts to the internal iron frame and the hull covered by Muntz sheeting up to the 18 ft (5.5 m) depth mark. The stem (15 in × 15 in (38 cm × 38 cm)) and sternpost
(16.5 in × 15 in (42 cm × 38 cm)) were of teak while the rudder was of
English oak. The keel was replaced in the 1920s with one constructed
from 15 in (38 cm) pitch pine.
[9] The deck was made of 3.5 in (8.9 cm) thick teak while the 'tween deck was 3 in (7.6 cm) yellow pine. Her length was 212 feet 5 inches (64.74 m) with a draft of 21 feet (6.40 m) and a deadweight of 921 tons.
[10]
Performance
A speck on the horizon
One day we sighted a vessel, a mere speck on the horizon, astern of
us, and the way she came into view it was evident she was travelling
much faster than ourselves. 'Bringing the wind up with her' was remarked
on board, and that seemed the only feasible conclusion to arrive at and
account for the manner in which she overhauled us. In a few hours she
was alongside us, and proved to be the famous British clipper Cutty
Sark, one of the fastest ships afloat. She passed us going two feet to
our one, and in a short time was hull down ahead of us."
—Wool clipper crewman, 1879[11]
The maximum logged speed for
Cutty Sark was 17.5 knots (32.4 km/h; 20.1 mph). The speed of a sailing ship is not so straightforward as a steam ship, as winds vary and a ship must tack
when sailing into the wind, both requiring the crew to make constant
adjustments to sails, so her speed also depended greatly on the skill of
her captain and crew. Her greatest recorded distance in 24 hours was
363 nautical miles (672 km; 418 mi) averaging 15 knots (28 km/h; 17 mph), although she recorded 2163 miles
[clarification needed] in six days, which given the weather over the whole period implied she had achieved over 370 nmi (690 km; 430 mi) some days.
[12] By comparison,
Thermopylae's best recorded 24-hour distance was 358 nmi (663 km; 412 mi).
Cutty Sark was considered to have the edge in a heavier wind, and
Thermopylae in a lighter wind.
[13]
Etymology
The ship was named after Cutty-sark, the nickname of the witch Nannie Dee in Robert Burns' 1791 poem
Tam o' Shanter. The ship's figurehead,
the original carved by Robert Hellyer of Blackwall, is a stark white
carving of a bare-breasted Nannie Dee with long black hair holding a
grey horse's tail in her hand. In the poem she wore a linen
sark (Scots: a short chemise or undergarment
[14]), that she had been given as a child, which explains why it was
cutty, or in other words far too short. The erotic
sight of her dancing in such a short undergarment caused Tam to cry out
"Weel done, Cutty-sark", which subsequently became a well known catchphrase.
Originally, carvings by Hellyer of the other scantily clad witches
followed behind the figurehead along the bow, but these were removed by
Willis in deference to 'good taste'. Tam o' Shanter riding
Meg was to be seen along the ship's quarter. The motto,
Where there's a Willis away, was inscribed along the taffrail.
[15] The Tweed, which acted as a model for much of the ship which followed her, had a figurehead depicting Tam o' Shanter.
[16]
History
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Cutty Sark in Sydney Harbour awaiting a cargo of new season's wool, c.1890
Cutty Sark was destined for the tea trade, then an intensely competitive race across the globe from China to London. Though the "premium" or bonus paid to the ship that arrived with the first tea of the year was abandoned after The Great Tea Race of 1866, faster ships could usually obtain a higher freight (the price paid to transport the cargo) than others.
[17]
Her first round trip voyage under captain George Moodie began 16
February 1870 from London with a cargo of wine, spirits and beer bound
for Shanghai. The return journey, carrying tea from Shanghai, began 25 June, arriving 13 October in London via the Cape of Good Hope.
Cutty Sark sailed in eight "tea seasons", from London to China and back.
[17]
Competition from steamers
Cutty Sark's launch coincided with the opening of the Suez Canal
to shipping. Her first trip encountered significant competition with
steamships. The route from China to London through the Suez Canal was
shorter by 3,300 nmi (6,100 km; 3,800 mi).
[18]
The route round Africa is in excess of 14,000 nmi (26,000 km;
16,000 mi) - typically a clipper might log significantly more than that
by planning her route for favourable winds. Whilst it was possible for a
sailing vessel to take a tug through the canal, this was difficult and
expensive. Furthermore, sailing conditions in the northern Red Sea were unsuited to the design of a tea clipper.
[19] So they still had to sail around Africa.
Less obviously, steamship design had taken a quantum step forward in 1866 with
Agamemnon,
using higher boiler pressure and a compound engine, so obtaining a
large improvement in fuel efficiency. Ships of this type could compete
with clippers before the Suez Canal opened.
[19]
When the tea clippers arrived in China in 1870, they found a big
increase in the number of steamers, which were in high demand. The rate
of freight to London that was given to steamers was nearly twice that
paid to the sailing ships. Additionally, the insurance premium for a
cargo of tea in a steamer was substantially less than for a sailing
vessel. So successful were the steamers using the Suez Canal that, in
1871, 45 were built in Clyde shipyards alone for Far Eastern trade.
[17]
The numbers of tea clippers sailing to China each year steadily
reduced, with many ships being sold and moving to general cargo work.
Costs were kept to a minimum and rigs were often reduced to barque so that a smaller crew was needed.
Thermopylae
Cutty Sark's famous race against
Thermopylae occurred in 1872, the two ships leaving Shanghai together on 18 June. Two weeks later
Cutty Sark had built up a lead of some 400 miles
[clarification needed], but then lost her rudder in a heavy gale after passing through the Sunda Strait. John Willis' brother was on board the ship and ordered Moodie to put into Cape Town
for repairs. Moodie refused, and instead the ship's carpenter Henry
Henderson constructed a new rudder from spare timbers and iron. This
took six days, working in gales and heavy seas which meant the men were
tossed about as they worked and the brazier used to heat the metal for
working was spilled out, burning the captain's son. The ship finally
arrived in London on 18 October a week after
Thermopylae, a total
passage of 122 days. The captain and crew were commended for their
performance and Henderson received a £50 bonus for his work. This was
the closest
Cutty Sark came to being first ship home but it was
Moodie's last trip as her captain before he transferred to steamships.
He was replaced by Captain F. W. Moore.
Later tea seasons
Moore remained captain only for one round trip to China, taking 117 days for the return trip. This was 14 days longer than
Thermopylae and 27 days longer than achieved by the iron ship
Hallowe'en
a few months later. Captain W. E. Tiptaft assumed command in 1873
achieving 118 days on his first return trip, but after the ship had to
travel 600 miles
[clarification needed] up the Yangtze River
in search of a cargo. Steamships were now taking most of the tea. The
following year the return journey took 122 days, but on the outward
journey
Cutty Sark set a record time of 73 days from London to Sydney. In November 1877 the ship was anchored off Deal in the English Channel along with sixty other vessels, waiting out a great storm. The anchor failed to hold and
Cutty Sark was blown through the ships, damaging two others before grounding on a mud bank. Fortunately she was pulled clear by the tug
Macgregor before too much damage was caused and she was towed to the Thames for repairs.
In December 1877 the ship sailed from London to Sydney, where she
took on coal for Shanghai, arriving there in April. However, the ship
was unable to find any cargo of tea for a return trip to London—the days
of the tea race were over. The master, Captain Tiptaft, died in October
while still in Shanghai and was replaced by the first mate, James
Wallace. The ship now had to take different cargoes around the world,
including coal, jute, castor oil and tea to Australia.
In 1880 an incident occurred on board during which the First Mate
Sidney Smith killed seaman John Francis. Smith was allowed to leave the
ship at Anjer
by Captain Wallace, causing the crew to cease work in protest. Wallace
continued the voyage with six apprentices and four tradesmen but became
becalmed in the Java Sea
for three days. In desperation as matters moved from bad to worse, he
committed suicide by jumping overboard and disappeared. He was replaced
as Master by William Bruce, who proved to be a drunken incompetent who
claimed pay for non-existent crewmen and managed to set sail with
inadequate provisions, resulting in the crew starving. An inquiry in New
York in April 1882 resulted in the captain and mate being suspended and
replaced by Captain Moore, previously of
Blackadder.
The wool trade
Cutty Sark moored in Melbourne. Another clipper can be seen in the background
In December 1883,
Cutty Sark departed Newcastle, New South Wales
with 4,289 bales of wool and 12 casks of tallow, arriving in London in
just 83 days. This was 25 days faster than her nearest rival that year
and heralded the start of a new career taking Australian wool to Britain
in time for the January wool sales. In 1885 Richard Woodget
was appointed captain on a salary of £186 per year and continued to
improve on the fastest trip record, achieving 77 days on his first
outward trip and 73 days returning to Britain from Australia. He
achieved this by taking a more southerly route than previously, to catch
the strongest winds in the Roaring Forties despite having to face icebergs, gales and storms whipped up by the winds he sought.
Cutty Sark was the fastest ship on the wool trade for ten years. In July 1889 the log of the modern passenger steam ship SS
Britannia recorded that when steaming at 15-16 knots she was overtaken in the night by a sailing ship doing 17 knots, which proved to be
Cutty Sark.
[citation needed]
Ship's stern before renovation in 1994. The original dock arrangement can also be seen.
Eventually steamships began to dominate the wool trade too and it
ceased to be profitable for a sailing ship. In 1895 Jock Willis sold
Cutty Sark to the Portuguese firm Joaquim Antunes Ferreira for £1,250.
[21] She was renamed
Ferreira after the firm.
[21] Her crews referred to her as
Pequena Camisola ("little shirt", a straight translation of the Scots 'cutty sark').
[22]
The ship traded various cargoes between Portugal, Rio de Janeiro, New
Orleans, Mozambique, Angola, and Britain. In May 1916 she was dismasted
off the Cape of Good Hope because of the rolling of the ship in bad weather and had to be towed into Table Bay off Cape Town.
Because of World War I, it was impossible to obtain suitable materials
to replace the masts so she was re-rigged over 18 months to a barquentine sail arrangement.
In 1922
Ferreira was the last clipper operating anywhere in the world. Caught in a storm in the English Channel she put into Falmouth harbour where she was spotted by retired windjammer captain Wilfred Dowman, of Trevissome House, Flushing, Cornwall, who was then operating the training ship
Lady of Avenel. The ship returned to Lisbon, where she was sold to new owners and renamed
Maria do Amparo.
However, Dowman persevered in his determination to buy the ship, which
he did for £3,750 and she was returned to Falmouth harbour. The rigging
was restored to an approximation of the original arrangement and the
ship was used as a cadet training ship. As a historic survivor, the ship
was opened to the public and visitors would be rowed out to inspect
her. Dowman died in 1936 and the ship was sold to the Incorporated
Thames Nautical Training College, HMS
Worcester at Greenhithe,
leaving Falmouth for her last journey under sail in 1938. The ship was
crewed by cadets, 15-year-old Robert Wyld steering the ship during the
voyage.
[23]
Ian Bryce, DSC, the last surviving crew member on the historic journey
from Falmouth to the Thames died, aged 89, on 11 December 2011.
[24]
The ship's figurehead shows Cutty-sark, the nickname of the witch Nannie Dee who chases Tam o' Shanter, snatching his horse's tail before he escapes by crossing water
At Greenhithe
Cutty Sark acted as an auxiliary vessel to HMS
Worcester
for sail training drill, but by 1950 she had become surplus to
requirements. From February to October 1951 she was temporarily moved
first for a refit and then to take part in the Festival of Britain at Deptford. On 30 January 1952, the 800-ton tanker MV
Aqueity collided with
Cutty Sark's bow in the Thames. The two ships were locked together after the collision which forced
Cutty Sark's jib boom into
Worcester's fo'cs'le rails, snapping the boom before scraping along
Worcester's starboard side.
Cutty Sark's figurehead lost an arm in the process.
Cutty Sark was anchored and towed to the Shadwell Basin where repairs were carried out by Green & Silley Weir Ltd. The damaged arm was recovered at Grays Thurrock and the figurehead was repaired.
[25]
In 1954 she was moved to a custom-built dry-dock at Greenwich.
[26]
She was stripped of upper masts, yards, deck-houses and ballast to
lighten her before being towed from East India Import Dock to the
special dry dock at Greenwich. The skipper on this occasion was
83-year-old Captain C.E. Irving, who had sailed the world three times in
her before he was 17. The river pilot was Ernest Coe. Thereafter the
entrance tunnel to the dry dock was filled in, the river wall rebuilt
and the work of re-rigging began. The foundation stone of the dry dock
was laid by The Duke of Edinburgh, patron of the Cutty Sark Preservation
Society, in June 1953. The restoration, re-rigging and preparation for
public exhibition was estimated to cost £250,000.
[27]
Cutty Sark, 8 October 1987
Cutty Sark whisky derives its name from the ship. An image of the clipper appears on the label, and the maker formerly sponsored the Cutty Sark Tall Ships' Race. The ship also inspired the name of the Saunders Roe Cutty Sark flying boat.
Museum ship
Cutty Sark in Greenwich, October 2003
Cutty Sark was preserved as a museum ship, and has since become a popular tourist attraction, and part of the National Historic Fleet, Core Collection. She is located near the centre of Greenwich, in south-east London, close aboard the National Maritime Museum, the former Greenwich Hospital, and Greenwich Park. She is also a prominent landmark on the route of the London Marathon. She usually flies signal flags from her ensign halyard reading "JKWS", which is the code representing
Cutty Sark in the International Code of Signals, introduced in 1857.
The ship is in the care of the Cutty Sark Trust, whose president, the Duke of Edinburgh,
was instrumental in ensuring her preservation, when he set up the Cutty
Sark Society in 1951. The Trust replaced the Society in 2000.
[26][28] She is a Grade I listed monument and is on the Buildings At Risk Register. The gallery beneath the ship holds the world's largest collection of ships' figureheads, donated to the Society by Sydney Cumbers in 1953.
[29]
Cutty Sark station on the Docklands Light Railway is one minute's walk away, with connections to central London and the London Underground. Greenwich Pier is next to the ship, and is served by scheduled river boats from piers in central London. A tourist information office stands to the east of the ship.
Cutty Sark in Greenwich, 1977
Conservation and fire
The ship one week before the fire. Most of the upper sections had already been dismantled for renovation.
On the morning of 21 May 2007,
Cutty Sark, which had been closed and partly dismantled for conservation work, caught fire, and burned for several hours before the London Fire Brigade
could bring the fire under control. Initial reports indicated that the
damage was extensive, with most of the wooden structure in the centre
having been lost.
[30]
In an interview the next day, Richard Doughty, the chief executive of
the Cutty Sark Trust, revealed that at least half of the "fabric"
(timbers, etc.) of the ship had not been on site as it had been removed
during the preservation work. Doughty stated that the trust was most
worried about the state of iron framework to which the fabric was
attached.
[30]
He did not know how much more the ship would cost to restore, but
estimated it at an additional £5–10 million, bringing the total cost of
the ship's restoration to £30–35 million.
[31]
After initial analysis of the CCTV footage of the area suggested the possibility of arson, further investigation over the following days by the Metropolitan Police failed to find conclusive proof that the fire was set deliberately.
[32]
Damage
The day after the fire, 21 May 2007
Aerial video footage showed extensive damage, but seemed to indicate
that the ship had not been destroyed in its entirety. A fire officer
present at the scene said in a BBC interview that when they arrived,
there had been "a well-developed fire throughout the ship". The bow
section looked to be relatively unscathed and the stern
also appeared to have survived without major damage. The fire seemed to
have been concentrated in the centre of the ship. The chairman of Cutty
Sark Enterprises said after inspecting the site: "The decks are
unsalvageable but around 50% of the planking had already been removed;
however, the damage is not as bad as originally expected."
[citation needed]
As part of the restoration work planned before the fire, it was
proposed that the ship be raised three metres, to allow the construction
of a state of the art museum space beneath. This would allow visitors
to view her from below.
[33]
There was criticism of the policies of the Cutty Sark Trust and its
stance that the most important thing was to preserve as much as possible
of the original fabric. Proponents of making her fit to go to sea
advocated that the fire repairs be done in such a manner to enable her
to do so.
[34] However, the state of the timbers, especially the keel,
[35]
and the fact that a hole had been cut through the hull in the 1950s for
an access door, made this difficult. Also, the Cutty Sark Trust claimed
that under five percent of the original fabric was lost in the fire, as
the decks which were destroyed were additions not present at the
original building. The restoration work was criticised by The Victorian
Society saying that the needs of the corporate hospitality market were
put ahead of the preservation of the historic fabric of the ship.
[36]
Building Design magazine awarded the project its Carbuncle Cup for the
worst new building completed in 2012 saying 'The scheme's myriad
failings stem from one calamitous choice: the decision to hoick the
154-year-old clipper close to three metres into the air on canted steel
props.'
[37]
Fund-raising
In addition to explaining how and why the ship is being saved, the
exhibition features a new film presentation, a re-creation of the
master's saloon, and interactive exhibits about the project.
Cutty Sark during repairs after the fire
The design for the renovation project by Grimshaw architects with,
during design development stage, newly established Youmeheshe architects
and Buro Happold engineers involved raising the ship out of her dry berth using a Kevlar
web, allowing visitors to pass under the hull to view it. Unfortunately
it was discovered that the proposed web would not follow the reverse
curves of the ship's hull which would effectively mask the hull's shape
from view. An alternate design for the support of the ship had to be
developed; this involved installing a deep steel belt around the hull
tied by diagonal steel members passing through the hold to a new
steel-reinforced keel. Horizontal tubular steel struts passing through
the hold brace the diagonals apart while many of the corroded original
hull frames have been doubled.
A new steelwork lower deck of contemporary design incorporating an
amphitheatre feature was installed in the main hold while a glass
encased lift installed within the ship terminates in a new steel and
glass housing structure on the weather deck. A second new steel and
glass box has been installed above the fore hold to enclose a new
staircase. Access to the ship is through a new opening cut through the
hull below the waterline in the ship's starboard quarter. The new access
hole has required the addition of new steel framing. Visitors arriving
on board the ship now do so via this entrance, which leads to the lower
hold. Maldwin Drummond, Chairman of the Cutty Sark Trust, has explained
in
Classic Boat magazine's September 2010 issue the need to
retain the spirit of the ship and he quotes the ideal that "The visitor
should see the ship as though for some unexplained reason the crew had
gone ashore". Doubts over the wisdom of Grimshaw's proposals have been
raised by many ship conservationists including the Cutty Sark Trust's
own engineer Peter Mason.
[38]
Cutty Sark in February 2012, repairs nearing completion. The
temporary cover which surrounded the ship during repair has been removed
although workmen can still be seen on deck and in the rigging where not
all yards have been replaced. Work was underway around the dock to lay
new paving.
The project was costed at £25 million when it commenced in 2006 with
£11.75 million of this total being provided by a grant from the Heritage
Lottery Fund.
[39]
Oscar-winning film producer Jerry Bruckheimer aided in the repair and restoration of
Cutty Sark.
A collection of photos taken by Bruckheimer went on display in London
in November 2007 to help raise money for the Cutty Sark Conservation
Project. The exhibition featured more than thirty pictures taken on set
during the filming of
Pirates of the Caribbean: At World's End.
[40]
In January 2008, the Heritage Lottery Fund
awarded the Cutty Sark Trust another £10 million towards the
restoration of the ship, meaning that the Trust had now achieved £30
million of the £35 million needed for the completion of the project.
[citation needed]
In June 2008, Israeli shipping magnate Sammy Ofer donated the outstanding £3.3 million needed to fully restore the ship
[41] although by January 2009 the
Evening Standard reported that the cost had risen further to £40 million creating a new shortfall.
[42] In February 2010
The Daily Telegraph
reported the project cost had risen to £46 million with public money
now being made available by London Borough of Greenwich to fill the
funding gap.
[43]
Investigation conclusion
On 30 September 2008, the London Fire Brigade announced the conclusion of the investigation into the fire at a press conference at New Scotland Yard. The painstaking investigation was conducted by the Fire Brigade, along with London's Metropolitan Police Service,
Forensic Science Services, and electrical examination experts Dr.
Burgoyne's & Partners. They said that the most likely cause was the
failure of an industrial vacuum cleaner that may have been left switched
on over the weekend before the fire started. The report revealed no
evidence the ship was subjected to arson attack and concluded the fire
started accidentally.
[44]
Physical evidence and CCTV footage of the fire showed that it
probably started towards the stern of the ship on the lower deck. All
electrical equipment on board was examined and it was determined that an
industrial vacuum cleaner in this area was normally running
continuously to suck up dust and particles from work going on to break
up concrete within the ship. No one working on the ship had
responsibility to ensure all equipment was turned off at the end of each
day, and no one recalled switching off the equipment on the Friday in
question. The vacuum cleaner has three motors inside and after the fire
one was found to be burned out in a manner which suggested it had failed
while operating. This was not conclusive evidence, however, because the
motor might previously have failed in service without causing a fire,
and gone unnoticed because the other two motors had continued to
function. Tests on similar cleaners showed they had no thermal cutout
devices and while they could run safely indefinitely if filters inside
were clear, if the air flow through the cleaner was blocked then it
would eventually overheat and could catch fire. This might occur if the
cleaner was full of dust and debris. The cleaner had failed previously
and two motors had been replaced.
On the basis of witness evidence, the joint investigation team
considered it unlikely that the fire was caused by the hot work
(welding) that was being carried out as part of the renovation or by
carelessly discarded smokers' materials. No one visited this part of the
ship since work stopped on Friday evening, and it was considered
unlikely that a fire could have smouldered all weekend before finally
breaking out Monday morning. However, it was discovered that although
all hot work was supposed to be recorded and someone was supposed to
check afterwards to ensure no fires, there was no record that such
checks had ever been made, and on at least one occasion hot work had
been conducted with no records made.
The ship was patrolled by two security guards, both of whom were
supposed to patrol independently at least once an hour, or once every
two hours later in the night, one being primarily responsible for the
visitor pavilion and one the dock. The guards were required to keep a
log of their patrols, but after the fire the relevant page was found to
be missing from the book. It was later found, already filled in
reporting uneventful patrols of the site up to 7 am in the morning when
the guards would have gone off duty. The alarm was raised when one of
the guards called the fire brigade; before this the two reported that
they had smelled burning plastic and had been investigating to try to
determine its source.
A carpenter had visited the site on Sunday to collect some tools, but
after 20 minutes attempting to contact a security guard to let him in,
had climbed the fence, collected his tools and climbed out again. The
carpenter reported that he had heard machinery operating towards the
stern of the ship, but it was not clear whether this might have been the
site diesel generator which ran at all times.
The ship was fitted with a temporary fire alarm system but it was
unclear whether this had operated. A separate alarm within the pavilion
did sound when smoke and heat reached that area, but the guards reported
no ringing alarm before the fire was seen. Investigation afterwards
discovered a faulty relay in the alarm panel which failed to switch
power to the siren circuits when an alarm was triggered. However, the
panel also contained a failed fuse in one siren circuit which suggested
that the siren had activated but the fire shorted it out, and this might
have also caused the relay to fail. The failed relay would have shut
off power to the second siren circuit. Statements from workers suggested
that weekly tests of the alarm system had not been carried out.
Mast specifications
The original mast specifications as laid down by the ships designer
still exist and are listed below as "tea rig". This arrangement was used
during the ship's time on the tea trade route, where it was necessary
to maximise the area of sail to get the greatest possible propulsion
when the ship might be becalmed in the doldrums. For the route to
Australia it was not necessary to carry such a large area of sail and
the masts and yards were reduced. The trade winds required great
strength in masts, but the wind could best be captured by relatively
small, high sails. A smaller rig also represented a saving in
maintenance costs. Each of the three masts (fore, main and mizzen) is in
three overlapping sections.
The restored stern (with stern draft and rudder) elevated 3 metres above its dry-dock under its glass-roofed visitors' centre in June 2012.
Mast heights above deck in metres
|
Tea rig[45] |
Sydney[46] |
| Foretop |
18.8 |
16.5 |
| Topgallant |
29.8 |
24.3 |
| Royal |
39.6 |
35.4 |
| Maintop |
19.8 |
16.9 |
| Topgallant |
31.9 |
22.8 |
| Royal |
|
36.3 |
| Skysail |
44.5 |
|
| Mizzentop |
17.0 |
14.8 |
| Topgallant |
25.7 |
22.8 |
| Royal |
33.2 |
31.7 |
Yard lengths in metres
|
Tea rig |
Sydney |
| Fore course |
23.8 |
21.0 |
| Lowertopsail |
20.7 |
16.8 |
| Uppertopsail |
19.5 |
14.6 |
| Topgallant |
14.6 |
11.5 |
| Royal |
11.6 |
9.4 |
| Main course |
23.8 |
21.6 |
| Lowertopsail |
20.7 |
18.5 |
| Uppertopsail |
19.5 |
16.8 |
| Topgallant |
14.6 |
14.2 |
| Royal |
11.6 |
10.4 |
| Skysail |
10.4 |
|
| Mizzen course |
18.3 |
17.4 |
| Lowertopsail |
16.5 |
14.9 |
| Uppertopsail |
14.6 |
13.4 |
| Topgallant |
11.9 |
11.0 |
| Royal |
10.1 |
8.2 |
| Spanker |
15.8 |
14.1 |
See also
- William Pile
- Cutty Sark (short story)
- Falls of Clyde (ship)
- List of clipper ships
- List of large sailing vessels
- List of tall ships
- Star of India
References
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- Dear, I.C.B; Kemp, Peter, eds. (2005). Oxford Companion to Ships and the Sea (2nd ed.). Oxford University Press. ISBN 978-0-19-860616-1.
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- Lubbock, China Clippers, p. 291
- Brettle
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on the investigation into the fire on board the clipper ship Cutty
Sark, King William Walk, Greenwich, London SE10 on Monday 21st May 2007" (pdf). Retrieved 2010-04-16.
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